{"id":1573,"date":"2021-11-03T17:25:35","date_gmt":"2021-11-03T10:25:35","guid":{"rendered":"https:\/\/pixelmagicbangkok.com\/filming-in-th\/?post_type=product&p=1573"},"modified":"2021-11-23T17:50:04","modified_gmt":"2021-11-23T10:50:04","slug":"dw101-shoot-to-screen","status":"publish","type":"product","link":"https:\/\/pixelmagicbangkok.com\/filming-in-th\/?product=dw101-shoot-to-screen","title":{"rendered":"DW101: Shoot To Screen"},"content":{"rendered":"

This ICA class starts with a two or three camera shoot (using RED, BMCC, Sony, and\/or iPhone). \u00a0We discuss how to shoot for the grade and pre-plan shots to make life easier in post. However, this doesn\u2019t always happen, so we\u2019ll be making some common mistakes during the shoot, and then learn how to fix or match them correctly in DaVinci Resolve. Not all cameras look the same, so matching cameras is a common problem faced by all productions.<\/p>\n

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This class is an excellent introduction to working with DaVinci Resolve and Frame.io. It is ideal for first time users and you do not need any experience to attend. It is important when learning any software to learn the correct way that will then form a great foundation going forward. You will receive the footage we shoot so can follow along with the post-production side of the class.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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The class mixes the operational side of Resolve with real-world workflows and problems that often happen while shooting.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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This class is ideal for small production companies, \u2018one-man-band content creators\u2019, editors, DITs, DPs, directors, and producers \u2014 basically anybody with a desire to learn more about color correction and workflows.<\/p>\n